I had read "Made to Break" years ago, as a teenager, and I remember it being the first nonfiction book I really liked. It opened doors for me, and I went with gusto into such classic texts as "The World Without Us" and Jared Diamond's dense-but-meaningful "Collapse." "Made to Break" got me ready for stuff like that.It was therefore with some surprise that I found the book to be much narrower in scope than I had remembered it to be. Although it deals with broad trends of the 19th, 20th and early 21st centuries, it goes through them more as a series of museum exhibits than as flowing phenomena (as "The World Without Us" does, for instance). Readers are reintroduced to such inborn phenomena as the yearly model change, the Cold War and what it really means to own a cell phone. Even though Slade is working outward from example, rather than inward from concepts in abstraction, the text is never confusing and rarely boring.Those who question consumer society at all, whether in whole or in part, would do well to have a look into the events that brought us to where we stand today - and what it means when something is indeed made to break.